Their Drawing Room of Newport.
Located in Newport Rhode Island
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# 5007. Pictured is one of a matched pair of Russian-Empire Style arm chairs. Size: the back is 39.5" tall; the chairs are 24" at the widest; the seat is 19" from the floor and are 20" deep. Circa 1895-1915. Parcel gilt and painted. We also have in inventory a matching console table. Price for the pair of chairs is $3,850.00.
# 5145. An American Empire Style Console Table. This is a revival console: American has been enchanted with the Empire Style since the early 19th century through the first couple decades of the 20th century. This console was made between 1880 and 1900. Unlike it's earlier counterparts, it is not veneer but solid Mahogany. Extremely well made and very heavy, the size is: 36" tall by 22" deep and 48" wide. There is a center drawer. The metal capitols and footing for the columns are fire gilt bronze and are very well cast. Condition: the table has multiple scuffs and would be greatly enhanced with a good French Polishing. There are no losses. The top is a single piece of Mahogany. The price for this console is $3,850.00.
# 5220. A pair of fine late 18th early 19th century Bilbao Mirrors. Size: 15" wide and 32" tall. Condition: the gesso/wire decoration is in excellent condition and the gilding appears to be intact; the mirror/glass is appropriately distressed because of age (when these mirrors were first used, people with powdered wigs were looking at their reflections); the marble columns and framing may have had some restoration over the years, but there are no apparent serious problems. These mirrors are more commonly seen in finer New England 18th century homes. It is rare to find a pair in such nice condition. A similar pair are on exhibit at at the Minneapolis Institute of Arts, (G328). P.O.R.
# 5207. A fine Regency style period girandole convex mirror. Early 19th century. Size: 48" tall / 32" across and the mirror is 17" in diameter. Condition: the wood/gesso surface has been glazed over with a gold paint; there may be some water lay gilding under the paint that may be recovered; the mirror/glass appears to be original and in good condition; one of the tail fins of the serpent on the left side of the mirror is missing; the Sheraton style urn at the top of the mirror has been broken off and re-attached; the prisms, though period, may or may not be contemporary with the rest. From an area private home. Inquiries.
# 5205. An American transitional Arm Chair. Renaissance Revival with Aesthetic / Japanesque overtones. Original cream paint. Ready for Restoration. More detailed images to follow. To be Priced.
# 5109: A late 18th early 19th century side table. Size: 21" wide x 14" deep and 22" tall. Probably Italian; walnut with various inlaid woods. The center inlaid decoration is an interpretative representation of the Doves of Pliny. Quoting: "Pliny's Doves In one of the rooms on the upper floor of the museum of the Capitol at Rome are the celebrated Doves of Pliny, one of the finest and most perfectly preserved specimens of ancient mosaic. It represents four doves drinking, with a beautiful border surrounding the composition. The mosaic is formed of natural stones, so small that 160 pieces cover only a square inch. It is supposed to be the work of Sosus, and is described by Pliny as a proof of the perfection to which that art had arrived. He says: “At Pergamos is a wonderful specimen of a dove drinking, and darkening the water with the shadow of her head; on the lip of the vessel are other doves pluming themselves.” This exquisite specimen of art was found in Villa Adriana, in 1737, by Cardinal Furietti, from whom it was purchased by Clement XIII. Source: Dictionary of Phrase and Fable, E. Cobham Brewer, 1894". Our example has three doves not four. Condition: various restorations to edges and some loss to the top inlaid workmanship borders. Price: $1,550.00.
#5124. A Newport Gilded Age Louis XVI Style Bed. Carved, Cained and painted. Size: 54" wide, 73" long. The headboard is 62" tall and the footboard is 27" tall. The feet are 6" tall. Age: circa 1900. Condition: the bed fits together correctly; one of the two side rails is bowed though it does not hinder the assembly of the bed; there are two punctures to the interior of the caining of the footboard where a mattress pushed in the caining. There are no other punctures to the caining. The carved ribbon crest was broken off at some time in the past and re-attched. Much of the bed is double cained with the exception of the large center section to the headboard. There was not a 'cottage' in Newport at the turn of the century that did not have at least one of these beds. If cained furniture is not to your taste, this bed could be easily upholstered. Price: $3,850.00.
# 4595. An Art Deco Sideboard / Bar. Macassar (Ebony). Circa 1925-30. Either French or English. Imported from England several decades ago. Size: 84.75" across; 20.75" deep at the deepest; 34" tall to the top of the mid level, serving area; 70.75" tall to the top of the cabinet. This cabinet combines bar and dining sideboard in the same functional design. Ample storage space for glasses, linens, silver, table cloths and of course liquor bottles. Adjustable shelves. The center door folds down to provide and area for mixing cocktails (mirrored back inside of bar area). This is an extremely heavy sideboard: this form of ebony is very dense and weighty. Comes apart in an upper and lower section. Highly figures grain patterning across the entire front of the cabinet. The sides are also figured. Condition: minor scuffs consistent with use and age. Only one key to operate the center bar area. The top side cabinets, thought they have key escutcheons, there are no locks. The other doors have locks (though no keys). There are five pull out drawers (two on the left with felt divided partitions / three on the right). A real showstopper in mass and design. Unmarked. Price: $7,500.00.
# 5138. An American Empire Center Table. Circa 1830-40. Rosewood / Egyptian Marble / Black Marble. Size: 31" tall / 35" across. This tri foot base table has an Egyptian Marble center support with bronze upper and lower caps; The marble top was probably replaced at one time and the surface is glass like. This design is uncommon with most centertables of this era usually having a wood center post or support. The marble column unbolts for more easy transportation. { We have located a similar item: offered by Christies on Thursday June 2, 1983 -Quervelle 5370 - lot # 185 "An Empire Mahogany Veneer Marble top Center Table - New York, 1830-40" The estimate was then $3,000.00 - $3,500.00.}Price on request.
# 5149. An American Empire {Greek Revival} Secretary. Size: 46" wide, 94" tall and the deepest at the base/foot is 28". Age: 1840-45. Probably New York. Condition: many scuffs and some veneer loss and buckling. One broken glass. The shelves are intact. With some tender loving care, this Secretary can become a dominant focal point to the period room in a Greek Revival or Gothic home. The glass doors have Gothic elements. This Secretary comes apart in two sections. Price: $4,500.00.
# 5144. A period American Greek Revival Pier Table. Circa 1840. Mahogany and mahogany veneer. Size: 44" x 22" x 34" tall. The marble top is 45" x 23.5" and is just over 1" thick. The white marble top with gray/black veining is period to the table. Condition: 'plateau' restoration: there was a hole which was filled and grain painted; minor surface restorations to wood losses; original French polish finish. Matched grain veneer decoration. Substantial carved paw front feet with Ionic capitols. The flat columns on the back also have matching Ionic capitols. There was never a mirror installed in this pier table. P.O.R.
# 4518. Pair of Rosewood and parcel gilded Egyptian Revival armchairs with porcelain plaque inserts. Probably made by the NYC workshop of Pottier & Stymus between 1869-89.The Pottier & Stymus showroom was located at 632 Broadway and the decorating firm specialized in Egyptian Revival furnishings among other historical styles and continued until 1919. These pieces have had a recent museum quality restoration and only require the finish fabrics. Price: $29,500.00 the pair .
# 5123. A single American parlor chair. Circa 1876. Mahogany. In the Japanesque / Aesthetic style. Size: the back is 30" tall; the seat is 14" tall; the seat is 21" across and 19" deep. There is no evidence that there were castors on this chair. Very good original condition with minor scuffs; no repairs or breaks. All four legs are carved with paws. The oriental carved fret work panels are inset into the frame. Probably New York City. Upholstry dates from the "awful" 1960's. Price: $6,500.00.
# 5150. An American Renaissance Revival Console Table. Size: 23" deep x 60" long x 32" tall. Painted Walnut. Condition: painted surface; the slate or marble top was broken at one time and is in two sections which fit together. The break shows with some surface edge loss across the break. The legs have subtle Egyptian Style design elements: lotus decorations. A well carved and useful table suitable behind a sofa or in a hall. A plateau on either side could hold vases or statues. Price: $4,250.00.
# 3767. A ceramic / pottery / Pedestal. Made between 1890 and 1910. Thickly glazed dull white surface over a solid composition material. Size: app. 42" tall and the top will support an object 9.5" across. Condition: various flakes and glaze crackelature. This is a very heavy stone like pedestal. Probably made for an indoor conservatory or to be used outside. We had this in our garden for a couple of years with the Newport, Rhode Island cold not affecting the integrity of the pedestal. We have seen a turn of the century catalogue from the firm of Liberty of London that pictured similar garden pedestals and this (unmarked) pedestal may be from the firm of Liberty and Company. Difficult (but possible) to ship. Price: $4,500.00.
# RS1. An American Gilt wood Empire / Greek Revival over mantle mirror. Size: 31.5" tall x 65" wide (at the base) and 70" wide at the top of the mirror. Age: 1845-50. Gilt wood with composition applied decorations; carved wood acorn finial decorations. Condition: original gilt surface; scuffs consistent with use and age; 4 of the acorn finials are missing; original glass mirror and back; notched cut into the top of the frame as shown in one of the detailed images. P.O.R.
# 4430. A pair (2) of Audience Guest Chairs designed by Lord Snowdon; circa 1969, for the Investiture of Charles as Prince of Wales Ceremony. The ceremony was held at Caernarvon Castle in Wales. Size: 31" tall to the back; 22" wide and 19" deep. Newer upholstery. Condition: sturdy, comfortable, no breaks or losses. Minor scratches consistent with use and age. Bent wood, original red paint and original gold gilt decoration on the back of the seat. A usable and unusual pair of chairs.These Chairs have been sold.
#5083. A Console Table. Baroque, circa 1625-1725. "Torchiere - Candelabra Stand - Palace piece, Probably Austrian. The figure "Pan" stands in a glade of flowers, in front of foliage which supports the back; he holds a fancy marble top. 37" tall x 16.5" deep x 28" wide. Some 19th century reinforcements plus the top may be 19th century as well. Worm hold damage to the entire console; loss of one finger and repair to adjoining finger. Old patina to the surface. From an old Boston Estate of note. Price: $38,500.00.
# 4875x. An "American Renaissance" Style 19th century dining side chair. Mahogany. From the estate of Arthur Curtis James. Used on his yacht Aloha (second and latter yacht of that name). Of the finest carving consistent with workmanship of Herter Bros. of New York City. Size: 38" tall with the seat 19" wide, deep and tall. Condition: original finish to the carved wood surface; re-upholstered at some time in the past. To find out more about Arthur Curtis James . . James fortune was copper; he owned in Newport Rhode Island Beacon Hill House and The Swiss Village; he was a Commodore and his yachts were The Coronet and The Aloha. The Coronet is being restored by the Newport Museum of Yachting. There is a matching chair to this one known to exists in Newport. This chair relates to The Crawford Library Table pictured on page 266 of "Art & Enterprise" American Decorative Arts, 1825-1917 The Virginia Carroll Crawford Collection published in 1999. As described, the library table " was found in Newport in the early 1980's, where it was reported to have come from a member of the Vanderbilt family." To see James's Beacon Hill . . . Price: $3,500.00.
# 5056. Pictured is one of a pair (2) of an American Empire Arm Chairs. From a Episcopal Church. These chairs are Altarboy Chairs. This rare form was specially made for the Altar of an important New England Episcopal Church. Neither a child's chair (too large) nor an adult chair, but in between in size. This size, especially a pair, is seldom seen on the market. Mahogany and Oak and Mahogany veneer. Size: 18" wide x 18" deep x 34.5" tall to the top of the back. The seat is 19.5" tall. Condition: various old repairs, losses to carvings and some veneer loss. This pair of chairs are identical and have stayed together as a pair throughout their existence. The paw feet and carved back indicate an above average client. P.O.R.
# 4835. A single parlor chair. c. 1860. American - Rococo Style. Ebonized wood with exceptional well cast furniture mounts. Consistent with production from the workshops of Auguste-Émile Ringuet-Leprince . Condition: reupholstered in the 1960's / the arms are slightly separated from the back caused by loose joints; original finish. Leon Marcotte was the son-in-law of Emmanuel Ringuet LePrince of Paris. This single chair is similar to a large impressive set made for Chateau-sur-mer of Bellevue Avenue / Newport Rhode Island. We quote information from the MET in New York about a similar chair that they have in their collection: " Armchair, 1843 Auguste-Émile Ringuet-Leprince (French, 1801–1886; firm active Paris, 1840–48) Ebonized fruitwood (apple or pear), beech, gilt bronze mounts, original upholstery; 38 1/2 x 23 1/4 x 26 1/8 in. (97.8 x 59.1 x 66.4 cm) Gift of Mrs. Douglas Williams, 1969 (69.262.3) In the 1840s, well-to-do New Yorkers preferred French furniture to that made in their native city. In 1844, Mrs. Samuel Jaudon of New York wrote to her friend Mrs. James C. Colles that "we on this side feel as if everything [is] so much handsomer, and better, and desirable that comes from Paris." Upon orders from New York clients, Parisian cabinetmaker and decorator Ringuet-Leprince shipped entire rooms of furniture, carpets, looking glasses, wallpapers, decorative objects, and sculpture. This armchair is part of a formal drawing room suite that was custom-made by Ringuet-Leprince as part of a suite for the abovementioned Colles family. The suite includes a pair of sofas, four armchairs, four side chairs, a firescreen, and a table. In 1850, the Colles' daughter, Frances, married John Taylor Johnston, a New York railroad executive who later served as the first president of The Metropolitan Museum of Art from 1870 to 1889. The suite of furniture descended in the family, original upholstery intact, and, except for two armchairs, was given to the Museum in 1969. " Price: P.O.R.
# 5035. A lady's writing desk. Att. to A.H. Davenport Company of Boston, Ma. Size: 27" wide x 16" deep x 39" tall; the writing surface when opened is 19" deep. Birds eye Maple and Maple. c. 1885-90. The high style desk reflects American Art Nouveau and Colonial Revival in the same design. The key escution is a Nouveau/Gothic interpretation. Condition: original surface: very dirty showing continued use. There are applied leaf and scroll decoration on the sides and front of this desk and some of that applied decoration is missing and must be recarved when restored. When opened this desk reveal the writing surface and two small drawers. Under the writing surface is a large pull out drawing (that does not lock). P.O.R.
# 4968. A c. 1865-75 Black Walnut, parcel gilt and ormolu mounted parlor cabinet - credenza. In the Eclectic Renaissance Revival or Neo-Grec Style. The ormolu mounts are marked on the back side "PS" for Pottier & Stymus, cabinet markers of New York City. Condition: recently restored. This cabinet has two interior adjustable shelves. The interior is bird's eye maple. The size of this cabinet is: 58" wide by 19" deep and 50" tall. The finish is mirror like. Price: $19,500.00.
# 4832. A diminutive console table. Early 19th century, possibly Austrian. A winged gilt wood eagle with single paw support holding a small marbleized wood top (not original). This form of Eagle was frequently used in Vienna 'Eagle' clocks between 1800-1825. Size: 28.5" tall / the top is 21.5" across and 10.5" deep. Price: $3,850.00.
# 4604. A pair (2) of 18th century architectural frames. Probably European, possibly German. Each 'frame' is 44" wide x 60" tall. The opening is 14.5" wide and 34" tall. Multiple layers of wood. The gilt capitols appear to be gessoed plaster. Each 'frame' probably held a painting at one time. The painted faux marble may be a later addition. From a Newport Rhode Island Bellevue Avenue Estate. Price for the pair is $8,500.00.
Item number 4225 is a console: The top is faux malachite on wood and the eagle is plaster painted to look like weathered bronze. Very effective. Size: 22" deep, 45" long and 33" tall. This eagle came to us in Newport from a private museum source who some how managed to make a cast identical to one of the eagles from a console located in the State Dining Room of The White House in Washington. There are several of these consoles in the White House Dining Room: a large one with two eagle supports and more than one single eagle console table. This was done more than 30 years ago and we are not sure of the circumstances. The person who cast this eagle has passedaway. The top would be attached to the wall and supported by the head of the eagle. Price: $3,500.00.
# 4768. A Lady's writing desk. Louis XV Style. Probably French. Late 19th early 20th century. Size: 21" deep x 32" wide and 38.5" tall. Marquetry overall on the body of the desk. Two smaller drawers (one locks) and a larger single drawer (which locks); we have both original keys. The writing surface slides out past the front of the desk for ease of use. Condition: old repairs to the veneer and scuffs consistent with use and age; small corner break the to marble top. The bronze mounts are original including the gallery surrounding the marble. This is an attractive and decorative desk from a Newport Rhode Island home. Price: $4,250.00
# 1895. A Russian or Baltic Neo-Classical Mirror or looking glass. c. 1835-1845. Size: 21.5" x 55" {glass size 16.5" x 28"}. Mahogany with painted and inlaid woods / applied gilt bronze mounts. Condition: the back wood cover for the mirror is gone, the mirror is naturally distressed because of its age. We believe that the glass is period. Scuffs consistent with use and age; minor splits to the wood. From a Newport Rhode Island Estate. Price: $4,950.00.
# 3449. Pictured is an early 19th century {c. 1825} Viennese 'Eagle' clock. Three train silk escapement movement. In Vienna these are called "Adleruhr". This clock chimes every 15 minutes and must be wound every day {30 Hour movement}. Size: app. 27" x 27". Replaced pendulum. Carved wood. Original surface: very worn. Original enamel dial with chips and damage to the dial. In working condition. This is the standard clock that graced better homes in Vienna during the Biedermier Era. An elegant and beautiful time piece. As with all of our items displayed on the Internet, detailed photos are available. Price: $15,000.00.
# 4979. An unusual and rare collectible from the Colombian Exhibition in Chicago (1893), . A side chair of maple and brass. This simple 'kitchen' or humble parlor side chair has been decorated with brass references to Christopher Columbus. The plaque on the back of the chair is a brass frieze depicting Columbus surrounded by members of his ship as they set foot on The New World. A sword pointing down in his right hand and a flag in the left. The imagery shows the fruits of the newly 'discovered' paradise. Shown are the dates "1492" and "1892" in high relief. The plaque size is: 8.5" x 4.75" and is heavily cast and attached to round brass piping creating the back spat of the chair. The lower cast frieze on the front stretcher shows a female figure sitting in a cart being pulled by two sheep. She holds a branch in her hand. Condition: I am sure that the metal has been cleaned and polished. The seat underside appears to be leather but there is a more recent cotton fabric (c. 1915) covering over the old leather seat. Overall size: 41" tall from the top of the back to the floor and the seat is app. 16.5" x 15.75". There appear to be no losses, thought there is some slight bending to the chair rail stretchers. P.O.R.
# 4177. A late 19th century 5 panel screen. Cut silk velvet. Each of the 5 panels is 22" wide and 78" tall all joined together with double joint hinges. In Newport as with most fashionable towns with houses of note, these screens were an important decorative addition to ball rooms, drawing rooms and bed rooms. This particular screen came from some Newport Estate. Condition: fraying to the outer edges and there is a cut in one of the panels that is about 7" across. Little discoloration between panels. This is a double sided screen with the same cut velvet on both sides. In The new book about Stanford White written by Wayne Craven on page 49 plate 11 is a photo of a drawing room designed by Richard Morris Hunt for John Jacob Astor IV on Fifth Avenue in New York. To the right of the fireplace is such a screen as the one that we offer here. These screens were often used to hide doorways used by servants. New cut velvet of this caliber sells for several thousand dollars a yard today. The price for this screen is $3,850.00.
# 4218. A Brass Bed - from an Luxury Ocean Liner - c. 1912. Size: full size bed; the head board is 40" tall and 54" wide; the foot board is 26" tall at either end (the posts). Very heavy cast brass elements. Painted numbers on the foot board and head board: "R163-C". Simple unadorned side rails. This bed has flanges that allowed it to be bolted to the floor. From a private home in Hawaii. Condition: no losses, scuffs consistent with use and age. Price: $3,500.00.
Item number 4629. A American 19th century Settee. Ebonized Cherry. Aesthetic Movement. The Stork was a favorite design element for that era. Maker: just don't know. Would date it between 1875 and 1880. This item may have been made in Providence Rhode Island.A Chicago firm, Field, Leiter & Co. also made similar designs.This item did not start out as a settee, but as a single seat chair. Its original dimensions must have been rather box like. It was made into a settee around 20 years ago. We have had in the past a chair that matched this item. The alterations were the front rail and the back rails were replaced to accommodate the extension into its present form. Size: 53" long, 23" deep and 24" tall to the top of the tufted crest. The seat itself (without castors) is 14" off the ground. We have 4 new castors for this settee. The castors attached would add another 1" to the height of the seat. The two storks are very well carved. The patina does have scuffs to the surface. No losses to the carving. The tufting appearance is period to this item, though the original upholstery foundation no longer exists. There must have been a complete parlor set in the same style that did include fern stands(we saw one years ago) chairs, tables and a settee. Price: $3,900.00.
# 4393. A rare and unusual American Civil War era barbers chair. c. 1860. Black Walnut with leather upholstery. Size: 27" wide x 33" deep and 37" tall. The foot rest is original to the chair. The seat of this chair sits pretty high off the ground: 26" and when sitting in the chair you lean back pretty far. Condition: various breaks and repairs, but the chair and foot rest are in structurally sound condition. Re-upholstered in leather about 20 years ago. Quite a conversation piece and quite frankly, this is a comfortable chair and you won't be able to keep people off of it when displayed in your home. Price: $2,500.00.
# 3425. A period American Aesthetic chair. Low enough to be a slipper chair. c. 1885. Condition: painted surface less than 25 years old. Silver paint with Aesthetic decor. Upholstered with silk morié. Price: $895.00.
# 4581. A fine Aesthetic Era American Ebonized side Chair. Ebonized Cherry with inlaid back splat. SOLD. We are always interesting in purchasing chairs similar to the one pictured here.
Item number 4231 is a cast iron umbrella hall stand. English with reg. marks. Probably sand blasted in the last decade. Original brass support rod. Probably the original color was black. In the style of Dr. Christopher Dresser. Size: 19" tall x 8½" deep and 27½" tall. Price: $1,250.00.
# 3998. An American Carved Mahogany "Sleigh" Bed. c. 1825. Probably Boston. Size: 39" wide x 97" long. This bed was extended about 6" some time around the turn of the century. The head board is 39" tall and the footboard is 34 1/2" tall. The Flame Mahogany is exceptional and the workmanship of the bed is of the highest quality.This bed is carved on all sides and could be used in the middle of a room . Original finish with minor losses. Price: $8,500.00.
# 4951. A Settee. Maple or Holly veneer. Design att. to Charles Coolidge or Francis Bacon, manufactured by A.H.Davenport Co. of Boston (Cambridge). Condition: veneer loss to the top back of either side and one spindle missing. Design reflecting Colonial Revival and Romanesque Styles. Size: 50" wide x 35" tall at the back x 22" deep and the seat is 17" tall. Information leads us to beleive that this piece was from the Gov. Lippett Castle in Newport which burned about 1927 and was bulldozed into the ocean. The 'Castle' was a brick mansion on Ocean Drive. Price for the settee is $3,500.00. Info about Francis Bacon:Francis Henry Bacon had received a degree in architecture from the Massachusetts Institute of Technology in 1877 and spent several years working with such architecture firms as the prestigious McKim, Meade and Bigelow in New York. During these years he also traveled and studied in Europe, working on the excavations of Assos, Turkey during two years of travel with the Archaeological Institute of America. Francis Bacon first designed furniture for Herter Brothers, the firm engaged by William H. Vanderbilt to decorate his New York City mansion. In 1883, Bacon began working in the office of celebrated American architect H.H. Richardson. By 1885 he had become principle designer for A. H. Davenport and Company, where he later served as vice-president. There he translated the handcraft ideals of the late 19th century into machine-produced furniture designs. Because of Bacon's earlier affiliation with Richardson's firm, and because Richardson's office was extremely busy at the time, Bacon, and in turn Davenport and Company, were given furniture commissions for many of Richardson's late buildings. Such commissions included the Converse Memorial Library and the Glessners' house, for which furniture was designed and executed under the supervision of Richardson's architects.
# 4461. A reproduction American Empire Sofa in the style of work by Anthony Quervelle. Size: app. 90" long, 24" deep and the back crest is 34" tall. Condition: The surface at some point in the past has been cleaned, there is a clean break in one of the scrolled arm supports which has been repaired, newer upholstery foundation and textile. We don't know exactly when or were this sofa was made. There are two of them in Newport. The other one is located at Shamrock Cliff, a resort on Ocean Drive in Newport Rhode Island. It is in one of their public rooms. Price: $3,500.00.
ZSOLNAY //
FURNITURE
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// PORCELAIN // POTTERY //
METAL
LIGHTING // PAINTINGS
// EPHEMERA // TEXTILES
// GOTHIC
// MISCELLANEOUS
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The Drawing Room is located at 152-154 Spring Street, Newport, Rhode Island 02840.We are open daily from 11 am to 5 pm and by appointment. If you have an interest in an item listed in this document or wish to purchase an item, please call us at 1-401-841-5060 ( cell: 401-261-3980). The Partnership of Gacher and Santi has been in business for over 30 years. We have been located in Newport since 1985. All images copyright by F. Santi, 2008
Our Email address is: drawrm@hotmail.com
